The Iconophilia of John of Damascus

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John of Damascus, or John Damascene (+749), is considered by many to be the last of the Church Fathers (if some give that honour to Saint Bernard of Clairvaux, +1153). John was at least the last of the Eastern Fathers, for soon after his death, the Church at Constantinople fell into schism under Photius (+893), culminating the break of 1054.

But, anon, that is another story: We should think mostly of the good, that golden patristic age of theological riches, our primary witness to the great Tradition handed on from Christ, by way of the Apostles – all that Church lives and believes, including the Liturgy, the sacraments, prayer, moral teaching, all the intricacies and consistencies of our great Faith,

In other words, contra the later Luther, sola Scriptura non vera est. Scripture and our great Tradition. For even the canon of Scripture is given us by Christ, and as Augustine admitted that I would not believe in the Gospel, had not the authority of the Catholic Church already moved me.

John was a polymath – as were so many of the Fathers – who wrote on Scripture, music, mathematics, law and philosophy, employed as a civil servant for the Islamic Caliph in Damascus, then, as now, quite firmly in Muslim hands, conquered as part of the desert religion’s (continuing) drive for world-wide hegemony and submission. Like all Christians, John was a infidel dhimmi, but valued for his learning and competence; he had no great love of Islam, and was one of the first to write a systematic treatise against the Qur’an, calling the founder of Islam a ‘false prophet’ and a veritable ‘Antichrist’. I wonder how he got away with it. Good thing John lived centuries before ‘Islamophobic’ laws – my detestation for inaccurate adjectives and nouns grows almost daily – but he likely would have ignored them, as any right thinking Father, or son, of the Church ought.

After his time in public service, John felt called ‘higher’, and was consecrated a monk at Mar Saba monastery near Jerusalem, which had been founded in 484 by Sabas the Sanctified, a hermit who ended up founding several communities. In his own day, Sabas was a great foe of the heresy of monphysitism, that Christ had only one nature, divine, which ‘swallowed up’ the human nature, thus voiding the reality of the Incarnation. Christ, ergo, only seemed to be human. The fourth Council at Chalcedon in 451 had proclaimed dogmatically and for all time that Christ, in His one divine Personhood, assumed a true human nature. But heresies there must be, and, like bad body odour, they do linger.

On that note, three centuries later, in the fractious mid-700’s, Saint John from the same monastery would be battling another heresy, this time iconoclasm, that any images of Christ, His mother or the saints, and any veneration thereof, was idolatrous and heretical, and hence such icons must be ‘smashed’, broken to pieces, cast to oblivion, chucked into swamps, even if they be, as they often were, the most beautiful and ancient works of art…hmm, sounds sort of au courant. We have had iconoclastic outbursts recurring in the post-‘Reformation’ era, with Oliver Cromwell and his Roundheads destroying much of the heritage of merrie England. And again post-Vatican II, even if the conciliar documents called for more beautiful images, we had high altars, statuary, paintings, missals, prayer books, piled high in dumps. But to fanatics of the zeitgeist, the ‘spirit of VC II’, the written word, law, matter not, all part of what Benedict called the ‘hermeneutic of rupture’.

In our own day, we have seen tragic iconoclasm with the resurgence of radical Islam; wherever it goes, art, music, architecture, blown up and disintegrated. The scarring influence of the iconclastic heresy, common to a number of religions, is enough to make one weep over what has been lost in our liturgical and archaeological landscape – and our musical one as well.

Iconoclasm may have had its original roots in Islamic influence on the Byzantine court, and the emperor, Leo III the Isaurian (+741), was all for it, in ways that are otherwise difficult to explain, for he considered himself a Christian, and a zealous one at that; then again, so did the Calvinists, and, we may presume, the ‘liturgical experts’ in the heady seventies, when just about everything they could get their hands on was levelled. There were many martyrs in Leo’s persecution, as there are today, in different ways.

John’s masterful treatises on not just the value, but the necessity of images for the true and proper worship of God are amongst the finest in our Tradition, and for which he is perhaps best known, being declared in 1890 one of the 36 Doctors of the Church by Pope Leo XIII. His writings were quoted almost verbatim at the Second Council of Nicaea in 787, which condemned iconoclasm in no uncertain terms, teaching, semper et ubique, that images are good for the soul, a true ‘media’ from God the Father, through Christ, His true and original Image, to us. By looking at Christ, and His saints, we see who we are truly meant to be.

I will leave you for now with words of John Damascene quoted in the Catechism, fitting for the beginning of Advent, wherein we await the very Incarnation of the Almighty:

Previously God, who has neither a body nor a face, absolutely could not be represented by an image. But now that he has made himself visible in the flesh and has lived with men, I can make an image of what I have seen of God…and contemplate the glory of the Lord, his face unveiled.